Readify

Jungkook’s cocaine relapse and substance abuse

𝐋𝐚𝐜𝐮𝐧𝐚 | 𝑱𝒆𝒐𝒏 𝑱𝒖𝒏𝒈𝒌𝒐𝒐𝒌

Jungkook’s cocaine relapse is a crisis in which substance use, violence, and fear of emotional dependence converge. At Ares Garden, he attacks an opponent with an unfamiliar, almost vacant fury; when Shelby arrives, he tells her that he took cocaine because he wanted her out of his mind, then denies that she matters to him. The episode turns a return to drug use into both a physical danger and a rupture in his closest relationships. Its aftermath brings a ban from the venue, estrangement from Namjoon, and a tentative move toward boxing elsewhere, without confirming that Jungkook has stopped using drugs.

Background and Earlier Vulnerability

The relapse sits against a history of violence and instability that predates Jungkook’s relationship with Shelby. In a flashback to his childhood in Seoul, his older brother, Ye-jun, restrains him as their parents’ argument grows louder downstairs. Jungkook, eight years old, breaks free because he is tired of his parents fighting and wants to intervene. The scene places him in a family crisis early, trying to confront violence he cannot control.

Sunmi’s recollection adds a longer account of his vulnerability. As a boy, Jungkook once came to her with a badly injured face, concealing that his father had hit him by claiming he had fought at school. She initially believed him. At sixteen, he ran away from home and took refuge with Sunmi; his father did not try to find him, and she immediately welcomed him. Jungkook was grateful and behaved respectfully in her home, even as Sunmi and Namjoon worried about what he did elsewhere. Sunmi recalls that, by sixteen, he had already touched things a teenager should not have touched. The account establishes early exposure to dangerous behavior and substance-related concern, though it does not identify the substance involved in that earlier period.

Another remembered fragment shows Jungkook being told by his father that a man must never cry. He can only nod, unable to answer. The relapse does not erase that history, but the narrative sets the command to suppress vulnerability beside the adult Jungkook’s visible distress: later, he breaks down in tears after hurting Shelby. The contrast makes the crisis more than an outburst; it exposes the distance between the emotional restraint imposed on him and the pain he can no longer contain.

The Fight and the Disclosure

At 12:10 a.m. on Saturday, November 23, Jungkook is fighting at Ares Garden with a rage that alarms both Namjoon and Chen. His gaze seems different from anything they have seen before, almost glassy, while his right fist repeatedly strikes his opponent’s face and breaks one of the man’s teeth. The fight’s change in intensity is immediate and frightening: his friends do not understand what has happened to him, but Namjoon suspects drugs.

Namjoon searches Jungkook’s belongings in the locker room, finds his phone, and calls Shelby. When she asks what is wrong, Namjoon tells her he thinks Jungkook has taken drugs and is beating his opponent badly. Shelby gets up, puts on her shoes, grabs her skateboard, and rushes to Ares Garden. Her response makes the fight a crisis beyond the ring: the person Jungkook is trying to push away is also the person his friends summon when they fear for him.

When Shelby confronts him, Jungkook confirms that he used cocaine and says he did so to force her out of his thoughts. He says she takes up too much space in his mind and orders her to leave. Asked why he kissed her, he says he does not know, then insists that she was foolish to think he cared about her. The exchange ties the drug use to an attempt to deny or escape the emotional significance of their relationship, but it does not show that cocaine alone caused his cruelty. The scene instead presents drug use and rejection as actions occurring together, with each intensifying the harm of the other.

Immediate Consequences and Separation

After Shelby leaves, Jungkook collapses upstairs and cries with his face in his hands. Her words keep turning over in his mind, and he cannot accept that he has treated the one person with whom he had felt most at ease so cruelly. In the locker room, he sees the white powder spread across the floor, cleans it up, and showers. The substance is described as an old acquaintance he had not expected to meet again: a compact image of relapse as a return, not a first encounter.

Chen is waiting at the bar when Jungkook comes down. He tells Jungkook he is forbidden to set foot in Ares Garden until further notice and says he will not see him there again until he has taken the necessary steps. Jungkook accepts the order. Chen’s decision has particular weight because he likes Jungkook, but regards the previous night’s behavior as intolerable. The ban removes him from the boxing environment that had become central to his life, while also placing a clear limit on the relationship between fighter and mentor.

Namjoon is angry and exhausted by the relapse, saying Jungkook has lost control and refuses help despite needing it. Chen urges him to leave Jungkook alone for the moment, hoping he will eventually understand. Namjoon’s distress makes the fallout relational as well as institutional: he has intervened during the fight, called Shelby, and now has to watch the person he considers his best friend avoid support. By November 29, the two have not seen each other for a week. Jungkook deliberately avoids Namjoon; he misses him, but also says he can no longer bear his behavior. The estrangement is therefore mutual in its pain, though not in its cause: Jungkook’s relapse and conduct have damaged trust, while his response is to withdraw from the friend trying to reach him.

Aftermath and Significance

On November 29, Jungkook goes to Knock Out, the boxing gym Namjoon usually attends, and asks to become a member. He approaches with his sports bag over his shoulder after a week of avoiding his friend, and the sight of the gym’s exterior makes him hesitate: he does not know whether an ordinary gym will let him release his feelings as fully as the underground venue did. The choice marks a concrete change of place after Chen’s ban, but it is not presented as proof of sobriety or as a completed recovery. Jungkook is still looking for somewhere to box and somewhere to put his distress.

Later scenes show that care and intimacy remain possible, without resolving the substance-use question. In one quiet moment, Jungkook takes Shelby’s hand and strokes her back as she is about to move away; she stays close to him. In another, Shelby tells Jungkook that what Kayla did to him without his consent was sexual assault, and he accepts the support of her hand in his. These moments contrast with the relapse’s coercive language and isolation, but the evidence does not say that they cure his addiction or prevent another relapse. Likewise, an observer later credits Jungkook and the wider circle with helping Shelby become more open, while Jungkook redirects credit toward her therapist. This reveals his capacity to participate in care, not a confirmed account of his own recovery.

The relapse’s dramatic force comes from its collision of patterns: Jungkook’s early exposure to family violence, his friends’ awareness of earlier dangerous behavior, his return to cocaine, and his attempt to sever attachment through cruelty. The story gives the crisis visible consequences—a damaged opponent, Shelby’s departure, Namjoon’s alarm, Chen’s ban, and a week of avoidance—rather than treating the drug use as an abstract label. Its endpoint remains deliberately incomplete. Jungkook changes gyms, but the available events establish neither sustained abstinence nor a definitive resolution; they leave recovery as an unresolved task rather than a reward automatically secured by love or remorse.